Integrity of creative image for composing an analysis of literary work

Integrity of creative image for composing an analysis of literary work

Consciousness can function as a psyche, as well as the psyche being a consciousness. The prerequisites for artistic creativity, these sides are inseparably in principle as a basis. In technology, we count on a consciousness that runs with essences, wanting to eliminate thoughts and experiences. In art and literature, emotion contains thought, in idea – emotion. The image is really a synthesis of awareness and psyche, thoughts and emotions.

What’s the foundation for artistic imagination in literary analysis?

This is apparently the actual foundation of artistic imagination, which can be possible just because awareness and psyche, being autonomous spheres, have reached the time that is same linked. Its impossible to reduce steadily the image to your idea (towards the goal of the concepts): we should distract ourselves from thoughts. To cut back the image to direct experience methods to “not notice” the turnover regarding the psyche, its power to be fraught with idea.

However, the integrity regarding the image isn’t just a sensually perceived idea (concept). The image just isn’t yet a means associated with the existence of simultaneously several principles (a system of principles). The image is basically multivalued, it simultaneously contains several aspects. Technology can not pay for this. Ideas decrease an object phenomenon that is( to at least one aspect, as much as one moment, deliberately abstracting from others. Science explores phenomena analytically with subsequent synthesis, practicing all of the moments of interrelation. Art, however, thinks with regards to the definitions. Moreover, the existence of the sum of meanings is an essential condition for the “life” of this creative image. It is impractical to decide what is the true meaning, what’s the “more crucial” meaning.

Concept of artistic idea of literary work

Theoretically, artistic content are paid off up to a medical, to a logically developed system of concepts. However in training it is impossible, which is not essential. We have been coping with the abyss of definitions. Also on the issue of the look of new overtones that are semantic new deep definitions, about “self-production” of meanings in classical works. Since a work may be comprehended to the end only once absolutely the rational unfolding of pictures is realized, it can be argued that the ability of a very artistic tasks are an endless process.

Therefore, the image is indecomposable. Its perception can only just be holistic: as an event of idea, as a sensually perceived essence. This is exactly why the clinical analysis associated with work is a “double relative” cognition of artistic integrity: apart from that the inexhaustibility of meanings cannot be reduced to a method, with such cognition, the adequate perception of emotions – empathy – is kept from the brackets.

The most complete perception of this object that is aesthetic always multifaceted:

  • empathy,
  • co-creation,
  • method of integrity through scientific dialectical logic.

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